$75.00 USD • Used
[minor soiling to rear cover, otherwise as new]. (B&W photographs) Most of this issue of this scholarly cinema journal is devoted to the history, technology and aesthetics of 3-D movies, notably: ...
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[minor soiling to rear cover, otherwise as new]. (B&W photographs) Most of this issue of this scholarly cinema journal is devoted to the history, technology and aesthetics of 3-D movies, notably: "The Tragedy of 3-D Cinema" by Rick Mitchell; an article about dual-band 3-D cameras of the 1950s, by Ray Zone; and a 3-D filmography, by Gary Palmer. There are also in-depth examinations of how the 3-D process was employed for the films KISS ME KATE and Alfred Hitchcock's DIAL M FOR MURDER. And just so it doesn't get overlooked, in addition to all the 3-D stuff, there's also quite a substantial article (over one-third of the issue) by James Labosier, the very precise title of which is adequately self-explanatory: "From the Kinetoscope to the Nickelodeon: Motion Picture Presentation and Production in Portland, Oregon from 1894 to 1906."
Product Info
Publisher: Indiana University Press / John Libbey Publishing
Year: 2004
Type: Used
Binding: Softcover
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